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PARTY TV: PARTY PLANNERS STAR IN TV SHOWS

WITH DOMESTIC DIVAS such as Martha Stewart and celebrity chefs à la Emeril Lagasse racking up viewers by the millions, it was only a matter of time before television turned the spotlight on real-life party pros. Today, cable channels from Style to TLC to HGTV have programs on the air or in the works that focus on the tensions and triumphs of event coordination and design. Meanwhile, planners gaze starry-eyed at the possibilities that television presents.

But like event planning itself, event planning television — with its undeniable career and industry benefits — isn't always the glamour gig it's cracked up to be.

REALITY CHECK

Riding the current popularity wave of reality shows is “Whose Wedding is it Anyway?” — A program that goes beyond the nuts and bolts of wedding planning into the sometimes nutty lives of wedding planners. The program premiered in December on Style, which is also the home of party-planning show “You're Invited.”

Describing the premise of the 13-episode show, series producer Suzanne Westhall explains, “We follow the lives and weddings of eight planners in New York City, Dallas and Los Angeles and see what it takes to put together the most important day of a couple's life.” But, she says, it's watching how the planners navigate their own personal and professional lives that “makes for some very entertaining television.”

Sure it's fun for viewers, but what about the planners themselves? Steve Kemble of Dallas-based Steve Kemble Event Design says being subjected to “Whose Wedding's” round-the-clock filming wasn't always a picnic. Not only did having cameras around constantly pressure him to “hit the mark the first time” when it came to decor setup, but it also made his private life a very public matter: “They even showed up when I was getting my Botox treatments!”

Still, he says, the potential payoff is worth the pressure. In addition to opening up an abundance of career opportunities — Kemble is doing guest appearances on two other television shows, with more in discussion — he believes programs like “Whose Wedding” have the unique ability to “garner more respect for the industry and those professionals working in [it]” on a mass scale.

PRO IN PERSON

For Kemble's co-star Mary Dann of Manhattan Beach, Calif.-based Mary Dann Wedding & Party Coordinators, “Whose Wedding” has given her a means of showing the world just how hard she works.

“I'm everything. I'm my accountant, I'm the marketing person, I'm the Web site designer. Then there's juggling all those clients,” she says. With wedding planning, she adds, “Everybody thinks it's glamorous and wonderful, and they have no idea the work and long hours that go into it.”

Her appearance on the show demonstrates not just the rigors of her professional life, she says, but presents wedding planners as real human beings. “They went on a date with me, they went to yoga with me, they went to a Father's Day party at my father's house and interviewed my brother-in-law and my nieces and nephews,” she explains. And lest anyone chafe at the thought of such under-the-microscope treatment, she adds, “The way they did it was very kind, very conscious about respecting my space.”

SELF-STARTER

While some planners wait for producers to come knocking — “Whose Wedding” found Dann via a column she writes for a Los Angeles wedding magazine, and was clued into Kemble through word-of-mouth in the Dallas event scene — others are taking matters into their own hands.

Laurence Whiting of San Francisco-based Global Gourmet Catering recently shot seven hours of footage for “Party Party!” — a show he worked on with an independent Los Angeles-based producer. According to Whiting, he is currently “in discussion” with PBS, HGTV and other networks about the show, which has been edited down to five-minute and 30-minute versions.

Whiting says his goal with the program is to “shed the veil of mystery” with regard to the event industry. His approach, which combines a real-time “how-to” planning component with a focus on the planner's personality, poses many production challenges, he admits. But, he adds, the same qualities that complicate production lend the show its drama: “This is what creates the tension and suspense for every episode. Will they make it? Will they get it all done before the guests arrive?”

CAREER PATH

While Whiting makes the rounds with his pilot, another planner reflects on his own experiences — good and bad — with leaping into the TV fray.

West Hollywood, Calif.-based event planner Charles Banfield says he has mixed feelings about both the benefit of event planning TV shows to his industry, and the value of participation to planners themselves. His own pilot for HGTV, “Charles Banfield's House Party,” provides an example of some of the potential risks of doing television, he explains. The show, whose premise involved creating a party “with a ridiculously low budget, and a heartwarming Hallmark story to go with it,” ended up undergoing extensive edits before being dropped from further development. As Banfield explains it, with the reins of creative control out of his hands, the network “whittled it down to such a remedial how-to, they ended up being bored with it.”

But the real danger, according to Banfield, comes when networks do present planning as a simple science. Such programs “empower people to think they can do it for themselves,” he says, adding that planners who participate in such shows are “giving people a reason not to hire [them].”

Yet Banfield, who notes that his experience would not keep him from tackling television again in the future, concedes the medium's potential benefits. It's the planner's responsibility to make sure any show he gets involved in not only casts event planning in the right light, but that “it fits in as a steppingstone to something else,” he says. “You have to have a five- or ten-year plan. You can't get a book until you're on a show. Then, after the book deal, you might get your name on a show. Pretty soon you will have name recognition. Then, eventually, you're Katie Brown or Martha Stewart.”




RESOURCES

Charles Banfield Productions, 323/822-2778; Global Gourmet Catering, 415/701-0001; Mary Dann Wedding & Party Coordinators, 310/545-1827; Steve Kemble Event Design, 214/943-5949

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